{"id":27823,"date":"2026-04-15T17:16:56","date_gmt":"2026-04-15T15:16:56","guid":{"rendered":"https:\/\/www.obalne-galerije.si\/?p=27823"},"modified":"2026-04-17T21:51:51","modified_gmt":"2026-04-17T19:51:51","slug":"the-triangle-of-marko-brecelj-rotulus-homo-pendulum","status":"publish","type":"post","link":"https:\/\/www.obalne-galerije.si\/en\/the-triangle-of-marko-brecelj-rotulus-homo-pendulum\/","title":{"rendered":"THE TRIANGLE OF MARKO BRECELJ (Rotulus Homo Pendulum)"},"content":{"rendered":"<p><section class=\"kc-elm kc-css-561305 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-596719 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-54170 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-692499 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-339504 kc_text_block\"><\/p>\n<p><strong>THE TRIANGLE OF MARKO BRECELJ (Rotulus Homo Pendulum) |\u00a0<\/strong><br \/><strong>Multimedia performance |\u00a0<\/strong><br \/><strong>Location: Wooden Hall, Monfort, Portoro\u017e.\u00a0<\/strong><\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p><b>\u00a0<\/b><\/p>\n<p><b>FREE TICKETS:<\/b><\/p>\n<ul>\n<li><b>Premiere: Saturday, 9 May 2026, at 20:00, Free tickets available at:\u00a0<\/b><\/li>\n<\/ul>\n<p>\n<\/div><div class=\"kc-elm kc-css-672950\" style=\"height: 20px; clear: both; width:100%;\"><\/div>\n<div class=\"kc-elm kc-css-643453\">\n\t<a class=\"kc_button\" href=\"http:\/\/www.entrio.si\/event\/trikotnik-marka-breclja-vecmedijska-predstava-premiera-952026-31801:quot::gt:www.entrio.si\/event\/trikotnik-marka-breclja-vecmedijska-predstava-premiera-952026-31801\" target=\"_blank\" title=\"\" onclick=\"\">\n\t\t<i class=\"fa-ticket-alt\"><\/i> www.entrio.si | 9. 5. 2026\t<\/a>\n<\/div>\n<div class=\"kc-elm kc-css-872547\" style=\"height: 20px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-551513 kc_text_block\"><\/p>\n<p><strong>or at the box office of Avditorij Portoro\u017e \u2013 Portorose during opening hours or at Entrio sales points.\u00a0<\/strong><\/p>\n<hr \/>\n<p><b>\u00a0<\/b><\/p>\n<ul>\n<li><b>Repeat performance: Sunday, 10 May 2026, at 20:00, Free tickets available at: <i><\/i><\/b><\/li>\n<\/ul>\n<p>\n<\/div><div class=\"kc-elm kc-css-6376\" style=\"height: 20px; clear: both; width:100%;\"><\/div>\n<div class=\"kc-elm kc-css-880610\">\n\t<a class=\"kc_button\" href=\"http:\/\/www.entrio.si\/event\/trikotnik-marka-breclja-vecmedijska-predstava-ponovitev-1052026-31803\" target=\"_blank\" title=\"\" onclick=\"\">\n\t\t<i class=\"fa-ticket-alt\"><\/i> www.entrio.si | 10. 5. 2026\t<\/a>\n<\/div>\n<div class=\"kc-elm kc-css-197013\" style=\"height: 20px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-202441 kc_text_block\"><\/p>\n<p><strong>or at the box office of Avditorij Portoro\u017e \u2013 Portoro\u017e during opening hours or at Entrio sales points.\u00a0<\/strong><\/p>\n<p><b>Free entry with ticket only.\u00a0<\/b><\/p>\n<hr>\n<p><u style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif;\"><br \/><\/u><\/p>\n<p><u style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif;\">Co-production<\/u><span style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, &#039;Segoe UI&#039;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &#039;Helvetica Neue&#039;, sans-serif;\">: Piran Coastal Galleries, Zavod Delak, Ku\u0107a ekstremnog muzi\u0107kog kazali\u0161ta (Zagreb), Dru\u0161tvo prijateljev zmernega napredka.<\/span><\/p>\n<p><cite><u>Authors of the performance<\/u>: Zlatko Buri\u0107 Ki\u0107o (HR), Damir Bartol Indo\u0161 (HR), Tanja Vrvilo (HR), Dragana Milutinovi\u0107 (SRB), Dragan \u017divadinov (SLO), Aljo\u0161a \u017divadinov Zupan\u010di\u010d (SLO).<\/cite><\/p>\n<p><cite><u>Project partners<\/u>: Municipality of Piran, Portoro\u017e Auditorium, Ministry of Culture of the Republic of Slovenia, Pohorski bataljon Foundation, AMZS, City of Zagreb, Ministry of Culture of the Republic of Croatia, Zaklada Kultura Nova, Jazz Denmark.<\/cite><\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-772770\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><div class=\"kc-elm kc-css-251910 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-684908 kc_text_block\"><\/p>\n<p><span style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont,;\">Piran Coastal Galleries, the DPZN Association, Teater DELAK and the House of Extreme Musical Theatre invite you to the intermedia performance THE TRIANGLE OF MARKO BRECELJ (<\/span><em style=\"font-family: -apple-system, BlinkMacSystemFont,;\">Rotulus Homo Pendulum<\/em><span style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont,;\">).<\/span><\/p>\n<p>The performance-event is an original work by a group composed of Zlatko Buri\u0107 Ki\u0107o, Damir Bartol Indo\u0161, Tanja Vrvilo and Dragana Milutinovi\u0107, in dialogue with the cosmo-kinetic dynamics of Dragan \u017divadinov and Aljo\u0161a \u017divadinov Zupan\u010di\u010d.<\/p>\n<p>The performance actualizes the effects and modality of emancipatory action arising from the theatrical practices of the neo-avant-garde group Kugla glumi\u0161te, in collaboration with theatre, visual and music artists of a sensibility similar to that of Marko Brecelj. The extreme music-theatre performance <em>THE TRIANGLE OF MARKO<\/em> <em>BRECELJ<\/em> (<em>Rotulus Homo Pendulum<\/em>) operates within the aesthetics of public and private memory as our common good. It takes as its point of departure the artistic work of Marko Brecelj \u2013 poet, performer, musician and activist!<\/p>\n<p>The meta-cosmist landing at the Cape of Good Hope takes the form of a softly performative appearance on the heterotopic scene of youth culture. The multimedia and intergenerational centre, with twenty artists, invites you on a trip to Vr\u0161ac through the high rotations of comradely offensives. The performance also contains a B-programme for the audience of the future. It includes the celebrated soft-terrorist actions of the Friends of the Present and the audience of the past, with the logic of 30- to 60-second extreme comments. The performance attracts, affects and reconstructs Brecelj\u2019s soft-terrorist actions, songs and video works. It emerges from Brecelj\u2019s many forms of artivism and opens up his diary-like \u201cDodogovor\u201d, which breaks down the differences between the public and the private, the historical and the current, the absolute and the contingent.<\/p>\n<p>The pre-arranged meeting at the strategic table was inspired by Dragan \u017divadinov\u2019s performance \u201cBIKOZMIZEM :: Izreka\u201d with the symphonic and melodic Marko Brecelj.<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-587823 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-274210 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-75750 divider_line\">\n\t<div class=\"divider_inner divider_line1\">\n\t\t\t<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-620999\" style=\"height: 40px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-491739 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-782335 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-340690 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2026\/04\/PHOTO-FOR-INSE-NEWS-2-scaled.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-877264 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2026\/04\/PHOTO-FOR-INSIDE-NEWS-scaled.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-132432\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><div class=\"kc-elm kc-css-226377 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-356557 kc_text_block\"><\/p>\n<p><strong style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, Oxygen-Sans, Ubuntu, Cantarell, \"Helvetica Neue\", sans-serif;\">MARKO BRECELJ<\/strong><span style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, Oxygen-Sans, Ubuntu, Cantarell, \"Helvetica Neue\", sans-serif;\"> (1951-2022):<\/span><\/p>\n<p>Poet, singer-songwriter, musician, youth and social worker, teacher, and a pioneer of Slovenian performance art. He was the founder of <em>Soft Terrorism<\/em> as a form of artistic activism, lived as a personal artistic practice without distinction between private and public life.<\/p>\n<p>In 1974, he released the solo album <em>Cocktail<\/em> with arranger Bojan Adami\u010d, still considered by many to be one of the finest singer-songwriter albums.<\/p>\n<p>Performance is probably the most accurate term to describe his overall body of work\u2014and his life. As a young member of the quartet <em>Beli \u010crnci<\/em>, later as the frontman of the band <em>Buldo\u017eer<\/em>, in a duo with Ivan Volari\u010d Feo (<em>Zlatni zubi<\/em>), and in collaborations with other musicians, in solo performances, performative conferences, films, theatre productions, lectures in independent venues, institutions, and even in politics, Brecelj primarily performed. On stage, in the streets and squares, in various spaces. In Slovenia, across the former Yugoslavia, and abroad.<\/p>\n<p>In 1990, in Koper, in Slovenian Istria, he co-founded the Dru\u0161tvo prijateljev zmernega napredka and, together with collaborators, led and developed an independent venue until his death as a sociological experiment: a youth, cultural, social, multimedia, intergenerational, and museum centre.<\/p>\n<p>As president of the Pohorski bataljon Foundation in the field of non-governmental youth work, he supported and encouraged the establishment of independent venues in Slovenia.<\/p>\n<p>He devoted himself to creative and generous people.<\/p>\n<\/p>\n<p>\u00a0<strong style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, Oxygen-Sans, Ubuntu, Cantarell, \"Helvetica Neue\", sans-serif;\">DRAGAN \u017dIVADINOV<\/strong><span style=\"font-style: inherit; font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, Oxygen-Sans, Ubuntu, Cantarell, \"Helvetica Neue\", sans-serif;\"> (1960):<\/span><\/p>\n<p>Director, performer, and one of the most recognizable figures in contemporary Slovenian theatre. As a co-founder of the Neue Slowenische Kunst movement and the originator of retrogardism, he played a defining role in shaping Slovenian theatre in the 1980s, bringing it into dialogue with the artistic avant-gardes of the twentieth century. His work breaks with classical theatre, placing sign, ritual, idea, and vision at the center instead of narrative, character, and psychology.<\/p>\n<p>Across his body of work, from Krst pod Triglavom to the long-term project Noordung 1995\u20132045, he has linked theatre with science, technology, outer space, and post-gravitational art. In doing so, he has developed a highly distinctive artistic language in which philosophical reflection, strong visual expression, and the exploration of space, body, and time all converge. An important part of his oeuvre also consists of performative farewell rituals and other projects in which art is understood as a total practice of life and thought.<\/p>\n<p>Dragan \u017divadinov remains one of the most original and influential figures in contemporary Slovenian performance art, recognized for the consistency of his vision, his theoretical rigor, and his uniquely singular theatrical universe.<\/p>\n<p><strong><br \/><\/strong><\/p>\n<p><strong>ZLATKO BURI\u0106 KI\u0106O<\/strong> (1953):<\/p>\n<p>Croatian-Danish actor who has built a distinctive career in European and international cinema over the decades. He began his artistic path in experimental theatre as a member of the influential group Kugla Glumi\u0161te, before moving to Denmark in the early 1980s, where he also established himself on screen. He is especially closely associated with director Nicolas Winding Refn, with whom he stood out in Bleeder and in the role of Milo in the cult Pusher trilogy, a performance that also earned him the Bodil Award for Best Supporting Actor.<\/p>\n<p>Thanks to his strong screen presence, he soon moved beyond the Danish film scene and appeared in international productions as well, including the role of a ruthless Russian billionaire in Roland Emmerich\u2019s 2012; he also reprised the character of Milo in the British remake of Pusher. Broader international recognition came again in 2022 with his performance in Ruben \u00d6stlund\u2019s Triangle of Sadness, for which he received the European Film Award and Sweden\u2019s Guldbagge Award. With this role, he further confirmed his status as one of the most striking character actors of his generation.<span style=\"font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, Oxygen-Sans, Ubuntu, Cantarell, \"Helvetica Neue\", sans-serif; font-style: inherit;\">\u00a0<\/span><\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section><\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE TRIANGLE OF MARKO BRECELJ (Rotulus Homo Pendulum) |\u00a0Multimedia performance |\u00a0Location: Wooden Hall, Monfort, Portoro\u017e.\u00a0<\/p>\n","protected":false},"author":4,"featured_media":27864,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[98,47],"tags":[],"class_list":["post-27823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts\/27823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/comments?post=27823"}],"version-history":[{"count":4,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts\/27823\/revisions"}],"predecessor-version":[{"id":27915,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts\/27823\/revisions\/27915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/media\/27864"}],"wp:attachment":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/media?parent=27823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/categories?post=27823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/tags?post=27823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}