{"id":15028,"date":"2022-08-11T08:00:08","date_gmt":"2022-08-11T06:00:08","guid":{"rendered":"https:\/\/www.obalne-galerije.si\/?p=15028"},"modified":"2023-04-26T23:29:23","modified_gmt":"2023-04-26T21:29:23","slug":"everything-is-not-what-it-seems","status":"publish","type":"post","link":"https:\/\/www.obalne-galerije.si\/en\/everything-is-not-what-it-seems\/","title":{"rendered":"(EVERYTHING IS) NOT WHAT IT SEEMS: exhibition"},"content":{"rendered":"<p><section class=\"kc-elm kc-css-614355 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-407724 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-628871 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/07\/nsfs-06_EverythingIsNotWhatItSeems-invitationDigitalEN-pdf.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-490456 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/NITJA_Arkitektur_Profil_HighRes_31-683x1024.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-836027\" style=\"height: 20px; clear: both; width:100%;\"><\/div>\n<div class=\"kc-elm kc-css-507999 divider_line\">\n\t<div class=\"divider_inner divider_line1\">\n\t\t\t<\/div>\n<\/div>\n\n<div class=\"kc-elm kc-css-860675\">\n\t<a class=\"kc_button\" href=\"https:\/\/drive.google.com\/drive\/folders\/15TbHve9js9wkQloHYDlv2y805CVDE942?usp=sharing\" target=\"_blank\" title=\"\" onclick=\"\">\n\t\t<i class=\"sl-arrow-down-circle\"><\/i> DOWNLOAD PRESS \/ GALLERY\t<\/a>\n<\/div>\n\n<div class=\"kc-elm kc-css-9873 divider_line\">\n\t<div class=\"divider_inner divider_line1\">\n\t\t\t<\/div>\n<\/div>\n<div class=\"kc-elm kc-css-229609\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><div class=\"kc-elm kc-css-940712 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-565629 kc_text_block\"><\/p>\n<p>\n<strong>(Everything is) Not What it Seems |\u00a0<\/strong><strong><br \/>20 Aug \u2013 25 Sept 2022 |<br \/>Nitja Centre for Contemporary Art, Lillestr\u00f8m\/Oslo, Norway |\u00a0<\/strong><\/p>\n<p>Participating artists:\u00a0<strong>Primo\u017e Bizjak (Slovenia), Vincent Ceraudo (France), Nemanja Cvijanovi\u0107 (Croatia), Andrea Fraser (USA), Meta Grgurevi\u010d (Slovenia), Anawana Haloba (Zambia\/Norway), Einat Cohen (Israel), Corinne Mazzoli (Italy), Ane Mette Hol (Norway), Emil Memon (Slovenia\/USA), Hanna Filomen Mj\u00e5vatn (Norway) &#038; Kira Senkpiel (Germany), Nika Neelova (Great Britain), Kathryn Smith (South Africa), Andrej \u0160kufca (Slovenia), Lu\u010dka \u0160parovec (Slovenia), Robert Watts (USA).<\/strong><\/p>\n<p><!--more--><\/p>\n<p>\n<\/div>\n<div class=\"kc-elm kc-css-400490 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">PRESS RELEASE<\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-178753 kc_text_block\"><\/p>\n<p>\n<strong style=\"font-style: inherit;\"><em>(Everything Is) Not What It Seems<\/em><\/strong><span style=\"font-style: inherit;\"> is an international project co-organized by Piran Coastal Galleries, the central gallery institution in Slovenian Istria, and the NITJA Center for Contemporary Art in Lillestr\u00f8m, which also produced the exhibition. The latter includes <\/span><strong style=\"font-style: inherit;\">a selection of artworks from the public collection of the Piran Coastal Galleries<\/strong><span style=\"font-style: inherit;\"> as well as works from the public collection of UGM Maribor and several Slovenian and international private collections (including Noire Gallery Turin, NGH Collection, Menge\u0161).<\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>The exhibition was conceived, developed and designed by Mara Ambro\u017ei\u010d Verderber, director of the Piran Coastal Galleries, at the invitation of the NITJA Center for Contemporary Art. <\/strong>The concept of the exhibition is designed around questions and themes that explore what is going on beyond the visible reality of things, which is something that the author has already written about in depth in her critical essay of the same name, published in the catalogue Momenta \u2013 Biennale de l\u2019Image (Kerber Press, Berlin\/Montreal, 2017).<\/p>\n<p>The exhibition will open on August 20, 2022, at the NITJA Center. On the days surrounding the opening, we will prepare the following events for the general public, the professional audience and the media:<\/p>\n<ul>\n<li><strong>Formal reception on Friday, August 19, 2022, from 11:00 a.m. to 12:30 p.m.<\/strong><\/li>\n<li><strong>Public opening of the exhibition on Saturday, August 20, from 1:00 p.m. to 5:00 p.m.<\/strong><\/li>\n<li><strong>Guided tour of the exhibition on Sunday, August 21, from 4:00 p.m. to 5:00 p.m.<\/strong>, which will be led by the international guest curator<strong> Mara Ambro\u017ei\u010d Verderber <\/strong>in dialogue with the participating artists:<strong> Meta Grgurevi\u010d, Anawana Haloba Corinne Mazzoli, Ane Mette Hol, Hanna Filomen Mj\u00e5vatn &#038; Kira Senkpiel and Andrej \u0160kufca.<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p>The project has been conceived as <strong>a travelling exhibition and will be expanded in each museum or location that will host the project, inviting local artists and thinkers to investigate the topics addressed in the show.<\/strong> In 2023 the show will be set up at the Civic Gallery Piran and other exhibition spaces (to be announced). Alongside the exhibition tour, a commissioned publication and e-book with contributions by international art critics and artists will be released for the occasion and shall be released in collaboration with the Department of Visual Arts and Design of the Littoral University (UP PEF) and the Exhibition Research Lab At the Liverpool John Moores University, among others.<\/p>\n<p><strong>DOWNLOAD PDF<\/strong><a href=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/Press-info-Nitja_new-ENG-.pdf\" target=\"_blank\" rel=\"noopener\"><br \/>Press-info-Nitja_new-ENG.pdf (pdf, 2 MB)<\/a><br \/><a href=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/NO-EN-VERKSLISTE-Not-What-It-Seems.pdf\" target=\"_blank\" rel=\"noopener\">NO-EN-VERKSLISTE-Not-What-It-Seems.pdf (.pdf, 2MB)<\/a><br \/><a href=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/NO-FORMIDLINGSTEKST-Not-What-It-Seems.pdf\" target=\"_blank\" rel=\"noopener\">NO-FORMIDLINGSTEKST-Not-What-It-Seems.pdf (.pdf, 206KB)<\/a><br \/><a href=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/EN-CURATOR-STATEMENT-Not-What-It-Seems.pdf\" target=\"_blank\" rel=\"noopener\">EN-CURATOR-STATEMENT-Not-What-It-Seems.pdf (.pdf, 219KB)<\/a><br \/><a href=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/EN-BIOS-AND-ARTWORKS-Not-What-It-Seems.pdf\" target=\"_blank\" rel=\"noopener\">EN-BIOS-AND-ARTWORKS-Not-What-It-Seems.pdf (.pdf, 339KB)<\/a><\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-134218 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-922013 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-719509 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">CURATORIAL STATEMENT<\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-502697 kc_text_block\"><\/p>\n<p>\n<i>by Mara Ambro\u017ei\u010d Verderber<\/i><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><em>(Everything) is Not What it Seems<\/em><\/strong><strong> includes a selection of artworks by sixteen artists well established on the international art scene <\/strong>and evolves around the idea that our knowledge of the world is incomplete and uncertain, and that our most deeply rooted beliefs about reality \u2013 as the physicist Carlo Rovelli reminds us \u2013 may be wrong or at least extremely na\u00efve. The exhibition thus reflects precisely upon the ability <strong>to look beyond the usually visible and beyond the given reality of things in order to tackle the ordinary and try to understand the mechanisms that rule our perceptions of everyday life<\/strong>.<\/p>\n<p>The purpose of the <strong>exhibition<\/strong> is to <strong>convey<\/strong> an understandable and clear message, so that the observers and participants become aware of the processes behind the scenes and understand that everything that we have learned in life is organized based on <strong>evidence and information <\/strong>from a given past. This knowledge has been communicated to us through narration and other sources of information, for example through visual data and other images that form approximations of objective reality (Georges Didi-Huberman). By becoming aware of the limitations of visual material we can understand that with our creative ability we can dismantle <strong>any imaginary of images and observe the effect of this deconstruction on people\u2019s consciousness, in search of a more objective interpretation of the present and a peaceful coexistence.<\/strong><\/p>\n<p><strong>The artworks on show will challenge the limits of what we think we know<\/strong>, as they were conceived in a truly investigatory spirit \u2013 using media ranging from new technology to classic techniques \u2013 which give the viewer an experience that is scientific, humorous, beautiful and widely accessible to the general public. These artworks are the result of the visual artists\u2019 individual research methodology. We may see that the act of observation has already taken place in the artwork itself, although not in the phase of producing a definitive answer.<\/p>\n<p><strong>With an almost scientific approach to image restitution, the artists use, invent, extract and appropriate objects (moving sculptures, ceramics), images (photos, paintings, drawings), books (texts, data) and a number of techniques so that, through their synchronous action, they create a shift in our experiencing and reading of their meanings.<\/strong><\/p>\n<p>Alternative knowledge is produced to encourage the observer to question the seeming reliability of the world, which is actually based on an intertwining of coded rules, mediated global trends and stereotypes. In this way, the observer is asked to look at the given present from a different perspective.<\/p>\n<p>As we have learned from the photographer and philosopher John Berger, images have the ability to fascinate and deceive, but they can also illuminate and restore the memory of historical quests and open up a whole range of current socio-political issues. The image has the power to became a tool in the process of analysis, contestation and reconfiguration, thus encouraging new re-creations and free ways of understanding our history and the contemporary world.<\/p>\n<p>If we use images to profane the unprofanable, <strong>they can become a tool in the process of emancipation from the visual strategies and political ideologies used to both violently trade with culture and art and even accelerate their industrialization and politicization. <\/strong>The exhibition points out that this has never been more important than now; the artistic imagination and imaginary must be considered primarily as a site of resistance, as a means that contains the potential to challenge our beliefs and awaken the sense that it is possible to imagine new regions and novel forms of reality.<\/p>\n<p>The central part of the exhibition is the installation <em>Synthetic Zero<\/em> by <strong>Andrej \u0160kufca<\/strong>. It is made of black synthetic material with a shiny surface reminiscent of endless pipes filled with oil. These wind through the space like unfulfilled consumer desires that have led to the threat of non-degradable plastic on a global scale. This work of art could also be understood as a metaphor for a virtual (sub)world where the publicly accessible Internet and the \u201cdark web\u201d coexist, where parallel life takes place.<\/p>\n<p>The focus is also on the sound work of <strong>Anawana Haloba<\/strong> and the drawings of <strong>Nemanja Cvijanovi\u0107<\/strong> with his immediate, critical approach to political structural systems, while <strong>Vincent Ceraudo<\/strong> deals with a particularly interesting perspective <strong>on unsettlingly empty urban landscapes. <\/strong>These are the result of capitalist greed, which turned megalomaniac utopias into their complete opposite: <strong>urban dystopias<\/strong>.<\/p>\n<p><strong>Emil Memon<\/strong>\u2019s diptych follows the guidelines of pure energy and street art abstraction. As spectators continue to explore, one can feel the <strong>fascination with optics and movement<\/strong> in the works of <strong>Ane Mette Hol<\/strong> and experience her studies of natural phenomena such as <strong>light and darkness<\/strong>. These are also the basis for the works of <strong>Primo\u017e Bizjak<\/strong>, whose poetic night photographs in the Carrara quarries show the intensive exploitation of this non-renewable natural resource.<\/p>\n<p>Keeping time and controlling it are the central themes of <strong>Meta Grgurevi\u010d<\/strong>\u2019s kinetic art, which explores the illusion of permanence through mechanics and other technologies. We will also encounter the works of <strong>Robert Watts<\/strong> (1923\u20131988), best known for his contribution to the iconic art group FLUXUS and its conceptual and playful enigmas. The decoding of a mathematical rebus <strong>is the <em>fil rouge<\/em> of a pair of ceramic sculptures by the artist Einat Cohen that draw attention to the political and social divisions in the Middle East<\/strong>.<\/p>\n<p><strong>Kathryn Smith<\/strong> and <strong>Andrea Fraser<\/strong> present two investigative art projects that were completed in the form of book editions. Andrea Fraser analyzes the public and private politicized structure of American museums, while Kathryn Smith uses an analytical and detailed forensic approach to examine data on extremely difficult topics, such as the disappearance of missing persons in South Africa.<\/p>\n<p>The central themes of the exhibition will also be explored through performance and dance. <strong>Hanna Filomen Mj\u00e5vatn<\/strong> and <strong>Kira<\/strong> <strong>Senkpiel <\/strong>will perform a new choreography that reflects on the power structures within the social pyramid, while the performance by <strong>Corinne Mazzoli<\/strong> in collaboration with actors and activists from the local community of Lillestr\u00f8m will explore physical barriers and obstacles in public space and the \u201cfencing of\u201d urban parts of the city.<\/p>\n<p>These are just a few thoughts on the artists featured in this exhibition whose works trigger a profound (self)reflection. The invitation is to walk through this sensory experience, which can also be seen as a visual record of attempts to understand the limitations of scientific and humanistic paradigms. The artistic imaginaries that appear here challenge our beliefs about reality and contain the power to weaken the totalitarian grip of the gaze, which is the only way to achieve emancipation and learn the unexplored limits and truths of our civilization.<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-686541\" style=\"height: 40px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-122028 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-73335 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-673399 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/NITJA_Arkitektur_Profil_HighRes_37-2.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-614510 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-984482 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/07-TPW-1024x768.jpeg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-669707 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-763463 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\">\n<div class=\"kc-elm kc-css-592078 kc-title-wrap \">\n\n\t<h2 class=\"kc_title\">MORE INFO ON THE ARTWORKS FROM PIRAN COASTAL GALLERIES COLLECTIONS\r\n<\/h2>\n<\/div>\n<div class=\"kc-elm kc-css-327558 kc_text_block\"><\/p>\n<p>\nThe Piran Coastal Galleries are the main gallery institution in the Slovenian Primorje region with the status of a regional museum of fine art from the second half of the 20th century onwards. Their intensive exhibition activities and dissemination of knowledge and critical thought about art strengthens the role of a promoter of high aesthetic experiences, especially in the articulated offer of trends in Slovenian and international contemporary fine art in all its expressive forms, even the most extreme.<\/p>\n<p>Hence, their artistic fond, kept in depots, is diverse and rich. It comprises paintings, graphics, drawings, sculptures, photographs, posters, watercolours, videos, artist\u2019s books, and others. According to the manner of their acquisition, these objects as subjects with their own meaning and artistic value are arranged in thematic sets, i.e. collections.<\/p>\n<p>It was the international openness of the Piran Coastal Galleries that enabled the extension and enrichment of the artistic fond in past decades through donations from abroad. An example of this is the <strong>Laboratory of Avantgarde Francesco Conz Collection<\/strong>, which is assembled of works of art that were presented as a gift by the Italian collector. In collaboration with the Piran Coastal Galleries, Francesco Conz (1935\u20132010) from Verona, the owner of the archive of the Fluxus international artistic movement and other avantgarde movements, conceived and prepared a few important exhibition projects and donations at the end of the 1990s. These include the <em>Flux-Med<\/em> graphic series by the American <strong>Robert Watts<\/strong> and the <em>Last Supper<\/em> by the Austrian artist Hermann Nitsch. There are few museums in the world that keep the works of the Fluxus\u00a0international artistic movement\u00a0(Vienna, Stuttgart, Los Angeles, London, New York, Zagreb, etc.). In a declarative way, this precious donation pays respect to the Piran Coastal Galleries for their high profile and internationally open exhibition programme.<\/p>\n<p><strong>The Meduza Collection<\/strong> is certainly one of the most important collections. Its name is directly connected to the logotype of the Piran Coastal Galleries which is in the form of a stylised head of the Greek goddess. With her gaze mythological Medusa could petrify anybody who looked at her. Thus, Medusa is also a kind of a metaphor for contemporary visual art that frequently charms and attracts, but often also creates discomfort and repellence. In one way or another people are amazed by it. Meduza is also the name of one of the exhibition spaces of the Coastal Galleries, which, ever since its foundation in 1972, works as an open and communicative space in the old town centre of Koper, a hub of different ideas and initiatives intended for Slovenian and foreign artists, with an emphasis on young authors. It was the contextual openness in the operation of this gallery that created the conditions for continual supplementation of the fine arts fond. Therefore, the collection is the result of lively exhibition activity through which the galleries monitor and evaluate current artistic currents and opuses of selected artists who have marked the period of the closing decades of the last and the beginning of this century. Hence, a great part of the artistic material kept in the fond are the works of important Slovenian and foreign authors of the older generation, including the works of Christo and Jeanne-Claude, Ivan Ko\u017eari\u0107, Mimmo Paladino, Braco Dimitrijevi\u0107, G\u00fcnter Brus, and others. In recent years, this fond has been growing rapidly with the works of promising young artists, such as the Slovenian artist <strong>Lu\u010dka \u0160parovec<\/strong>.<\/p>\n<p>The focus on the artistic production of the south Primorska region and lands just beyond the borders from the second half of the last century onwards defines the concept of the <strong>Collection of Artists from Primorska<\/strong><strong>.<\/strong> It is composed of selected works by authors the creativity of whom is linked to the south Primorska region, which is the area where our institution operates. The basis for the collecting is the programme direction of the galleries, which has in recent years presented all key artists from the Primorska region through extensive and retrospective exhibitions. The most recent in the series of such complex projects was the exhibition by <strong>Emil Memon<\/strong>. Upon the visual artist and musician\u2019s return to Koper, his hometown, from New York, where he lived and worked for decades, the Piran Coastal Galleries this year prepared a large overview exhibition. A few selected works from this exhibition, which the author donated to the galleries, added to the fond of the Primorska Fine Arts Artists Collection.<\/p>\n<p>Unique in content and genre are the <strong>Ex-tempore Piran collections of international painting and pottery.<\/strong> The works of these collections were acquired with purchases at traditional gatherings of painters and potters of the same name. The competitive nature of these events is illustratively explained by its name, <em>ex tempore<\/em>, which is Latin for \u201cout of the moment\u201d. The participants are thus challenged to create a piece in a short time (a few hours or days) that in itself unites the ideal balance of originality of the artistic expression and skill in the technique of the chosen discipline. An expert jury later selects the best works and their authors are awarded. Since its foundation in 1996, the painting <em>Ex tempore<\/em> has attracted numerous participants, primarily amateur painters, but also academically formed painters and young artists at the beginning of their creative journey. It is a high-profile and well-visited manifestation of the Piran Coastal Galleries that leaves a visible mark on the artistic life of the Slovenian coast. The second event, the pottery <em>Ex tempore<\/em>, primarily encouraged artistic creating in clay during a limited period, from 2000 to 2015. Within the fond of this collection, works of international authors stand out, including the Israeli artist <strong>Einat Cohen. <\/strong><\/p>\n<p><i>\u00a0<\/i><\/p>\n<p><i>Majda Bo\u017eeglav Japelj, Phd. Collections curator at Piran Coastal Galleries<\/i><\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-567676\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"kc-elm kc-css-440245 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-736370 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-114826 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/2022_08_NITJA_everything_is_not_whaat_it_seems_WebRes_02-1024x683.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div><\/div><div class=\"kc-elm kc-css-698133 kc_col-sm-6 kc_column kc_col-sm-6\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-107716 kc_shortcode kc_single_image\">\n\n        <img decoding=\"async\" src=\"https:\/\/www.obalne-galerije.si\/wp-content\/uploads\/2022\/08\/2022_08_NITJA_everything_is_not_whaat_it_seems_WebRes_16-1024x683.jpg\" class=\"\" alt=\"\" \/>    <\/div>\n<\/div><\/div><\/div><\/div><\/section><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Everything is) Not What it Seems |\u00a020 Aug \u2013 25 Sept 2022 |Nitja Centre for Contemporary Art, Lillestr\u00f8m\/Oslo, Norway |\u00a0 Participating artists:\u00a0Primo\u017e Bizjak (Slovenia), Vincent Ceraudo (France), Nemanja Cvijanovi\u0107 (Croatia), Andrea Fraser (USA), Meta Grgurevi\u010d (Slovenia), Anawana Haloba (Zambia\/Norway), Einat Cohen (Israel), Corinne Mazzoli (Italy), Ane Mette Hol (Norway), Emil Memon (Slovenia\/USA), Hanna Filomen Mj\u00e5vatn<\/p>\n","protected":false},"author":4,"featured_media":15057,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[98,79,47],"tags":[],"class_list":["post-15028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-exhibitions","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts\/15028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/comments?post=15028"}],"version-history":[{"count":4,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts\/15028\/revisions"}],"predecessor-version":[{"id":17911,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/posts\/15028\/revisions\/17911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/media\/15057"}],"wp:attachment":[{"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/media?parent=15028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/categories?post=15028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.obalne-galerije.si\/en\/wp-json\/wp\/v2\/tags?post=15028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}