{"id":6349,"date":"2021-07-05T13:20:27","date_gmt":"2021-07-05T11:20:27","guid":{"rendered":"http:\/\/www.obalne-galerije.si\/?page_id=6349"},"modified":"2026-01-28T21:34:09","modified_gmt":"2026-01-28T20:34:09","slug":"current-direction","status":"publish","type":"page","link":"https:\/\/www.obalne-galerije.si\/en\/current-direction\/","title":{"rendered":"New Direction"},"content":{"rendered":"

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Mara Ambro\u017ei\u010d Verderber is an expert in art institutional building, a curator and a contemporary art critic. She gained her experience in the field of contemporary art in Europe, England, USA and Canada. After her studies at the Academy of Fine Arts in Venice, she completed her Master\u2019s degree at the Faculty of Arts and Design of the IUAV University of Venice. More recently she was awarded a scholarship by the renowned School of Art and Design of the LJMU University in Liverpool, where she is finishing her doctoral dissertation.<\/p>\n

Over the past twenty years she has guided and has been involved in the development of over 15 international art organisations, museum spaces, academic platforms and networks, including the five-year public program\u00a0Ateliers<\/i>\u00a0(Venice civic gallery Fondazione Bevilacqua La Masa) and the public-private international program\u00a0Art Enclosures<\/i>\u00a0(banking foundation and collection Fondazione di Venezia, 2008\u20132013). Between 2013 and 2015, she worked at the Department of Culture of the Monnaie de Paris, the French mint, within the newly created exhibition centre for contemporary art. In 2015, she joined the NSK organisation as the Director, developing NSK State Pavilion\u2019s strategy and its implementation. In recent years, she has also worked as a curator of various projects in collaboration with internationally renowned artists and experts, such as the Slovenian Pavilion with Tobias Putrih, the 52nd Venice Biennale in 2007 (curated with Francesco Manacorda). As a researcher and a curator, she was also responsible for curating the material for the first historical reconstruction of the extensive exhibition\u00a0Mus\u00e9e d\u2019Art Moderne\u2013 Section des Figures<\/i>\u00a0(1972), dedicated to a Belgian artist and the initiator of institutional criticism Marcel Broodthaers (Monnaie de Paris, February\u2013May 2015).<\/p>\n

As a fellow professor at the Faculty of Arts and Design at the IUAV University of Venice (2007 2012), Mara Ambro\u017ei\u010d Verderber has lectured theory of art and cultural industry critique alongside Prof. Marta Kuzma, dean of the School of Art at the eminent Ivy League Yale University. In 2013, she served as a visiting lecturer at the prestigious grande \u00e9cole Paris Institute of Political Studies Sciences Po, at the School of Communication. Over the past decade, she has published essays and scholarly articles in Italian, French and English. Some articles have also been translated into German, Polish and Portuguese. She also edited and co- authored several books, published by international publishing houses, such as\u00a0Art as a Thinking Process. Visual Forms of Knowledge Production<\/i>\u00a0(Steinberg Press, Berlin, 2013) Since 2013, she has also been a member of the editorial board of the publishing house Archive Books in Berlin.<\/p>\n

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<\/span><\/i> Selection of articles and Essays in Books, Catalogues and Publications<\/a><\/h3>
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Selection of articles and essays in books, catalogues and publications<\/h4>\n<\/div>\n
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\nAmbro\u017ei\u010d, Mara and Emanuele Quinz, \u201cCounterpoint on Cittadimilano\u201d, in Giorgio Andreotta Cal\u00f2: Hangar Pirelli<\/em> (Fondazione Pirelli and Skira Publishers: Milan, 2020), pp. 35-42.<\/p>\n

Ambro\u017ei\u010d, Mara. \u201cOn Rotation\u201d, in 10 Contemporary Research Intensive. The Contemporary Condition series 10<\/em> (eds. A. Chaguidouline, A. K\u00f8lb\u00e6k Iversen, et all.). (Berlin: Sternberg Press, in partnership with Aarhus University and ARoS Aarhus Art Museum, 2018), pp.18-20.<\/p>\n

Ambro\u017ei\u010d, Mara. \u201cWe \u2013 The Alien Body\u201d in Katarzyna Swinarsk, Elvin Flamingo + Infer: We \u2013 The Common Body<\/em>, exhibition catalogue (Sopot: Panstwowa Galeria Sztuki, 2017), pp. 80\u201387.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cPreliminary notes on bibliography on strategies of collective engagement\u201d, in Uchronia. duplicate > do not create, infiltrate > do not exhibit, exceed > do not belong, appear > do not claim, delegate > do not restrict<\/em>, eds. A. Vigier, F. Apertet and E. Quinz (Berlin: Sternberg press, 2017), pp. 260\u2013275.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cControversial Sustainability: Notes on Art, Engagement and Cultural Ecology\u201d, Life a User's Manual<\/em> (Timisoara: Artencounters, 2017), pp. 260\u2013275.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cNot What It Seems\u201d, in <\/span>What Does the Image Stand For? \/ De qui l\u2019image est-elle le nom?<\/em>, edited by A. Barak (Bielefeld \/ Montreal: Kerber Verlag press and MOMENTA \u2013 Biennale de l\u2019Image \u00e0 Montreal, 2017), pp. 141\u2013147.<\/span><\/p>\n

Ambro\u017ei\u010d, Mara, \u201cMarche! Pour Tojours. Walk! Forever\u201d, Art Africa Magazine. A Luta Continua<\/em>, ed. K. Geers (Issue 7\/ March 2017), pp. 76\u201379.<\/span><\/p>\n

Ambro\u017ei\u010d, Mara, \u201cThe Perfect Paradox\u201d, in Juli\u00e3o Sarmento: La chose, m\u00eame \u2013 the real thing<\/em> (Paris: Fondation Calouste Gulbenkian, Paris D\u00e9l\u00e9gation en France and MER Paper Kunsthalle, 2016), pp. 64\u2013 82.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cRegeneration\u201d, in Art as a Thinking Process<\/em> (Berlin: Sternberg Press, 2013), pp. 12\u2013 24.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cApre il MSUM\u201d, Flash Art<\/em>, (October\u2013November 2011), p. 86.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cRitorno (Return), on Giorgio A. Cal\u00f2\u201d, in Illuminations<\/em>, exhibition catalogue, 54th International Art Exhibition \u2013 Venice Biennale (Venice: Marsilio Editore, 2011), pp. 25\u201326.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cScolpire il tempo (Sculpting Time)\u201d, Flash Art<\/em>, (May\u2013June 2011), pp. 64\u201367.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cTales from Paradise\u201d, in Soren Lose<\/em>, exh. cat. (Milano: Riccardo Crespi Gallery, 2011), pp. 5\u201310.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cReflections on Reality\u201d, in Sculpting Time<\/em> (Rotterdam: Wilfried Lentz Rotterdam Editions, 2010), pp. 3\u20136.<\/p>\n

Ambro\u017ei\u010d, Mara, \u201cOn Repressive Strategies\u201d, in Mag Magazine<\/em> no.4 (2014), pp. 10\u201316.<\/p>\n

Ambro\u017ei\u010d, Mara and Manacorda, Francesco, \u201cVenetian Atmospheric\u201d, in Art in the Present Tense<\/em>, exhibition catalogue, 52th International Art Exhibition \u2013 Venice Biennale (Venice: Marsilio Editore, 2007), p. 128.<\/p>\n

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<\/span><\/i> Selection of Edited Pubblications and Catalogues<\/a><\/h3>
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Selection of Edited Pubblications and Catalogues<\/h4>\n<\/div>\n
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\nAmbro\u017ei\u010d, Mara, A. Chaguidouline, N. Guastamacchia, A. K\u00f8lb\u00e6k Iversen, et all., 10 Contemporary Research Intensive. The Contemporary Condition series 10<\/em> (Berlin: Sternberg Press, in partnership with Aarhus University and ARoS Aarhus Art Museum, 2018).<\/p>\n

Ambro\u017ei\u010d, Mara, ed., NSK State Pavilion Newspaper<\/em> (Ljubljana: NSK editions, 2017).<\/p>\n

Ambro\u017ei\u010d, Mara, PHYSIC \/ PSYCHIC. Vincent Ceraudo<\/em> (Marseille, 2016: collection ART-O-RAMA, \u00e9ditions Group). (Artist\u2019s catalogue, French and English).<\/p>\n

Ambro\u017ei\u010d, Mara, and Koyo Kouoh, eds. Condition Report \u2013 Artistic Education in Africa<\/em> (Dakar: RAW Material Company, 2015). (French and English).<\/p>\n

Ambro\u017ei\u010d, Mara, ed., Giorgio Andreotta Cal\u00f2. Prima che sia Notte<\/em> (Berlin: Archive Books, and MAXXI Museum Rome, 2014). (Italian and English).<\/p>\n

Ambro\u017ei\u010d, Mara, and Angela Vettese, eds., Art as a Thinking Process. Visual Forms of Knowledge Production<\/em> (Berlin: Sternberg Press, 2013). (English edition).<\/p>\n

Ambro\u017ei\u010d, Mara, ed., Art Enclosures. Residencies for International Artists in Venice<\/em> (Venice: Fondazione di Venezia and Marsilio Editore, 2013). (English and Italian).<\/p>\n

Ambro\u017ei\u010d, Mara, ed., Atelier BLM<\/em> (Milan: Notebook 2009, Moleskine, 2009).<\/p>\n

Ambro\u017ei\u010d, Mara, ed., Venetian, Atmospheric<\/em>, exhibition catalogue of the Slovene Pavilion, 52nd International Art Exposition, La Biennale di Venezia (Ljubljana: Mestna Galerija, Tiskarna Grafos, 2007).<\/p>\n

Ambro\u017ei\u010d, Mara, and Riccardo Caldura, eds., Citying. Pratiche creative del fare citt\u00e0<\/em> (Venice: Supernova Editore, 2005).<\/p>\n

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<\/span><\/i> Selection of Delivered Conferences and Talks<\/a><\/h3>
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Selection of Delivered Conferences and Talks<\/h4>\n<\/div>\n
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\nCities of Culture: Turning Evaluation into Policy<\/em>, The Cities of Culture Post Graduate Forum, Culture, Place, and Policy Institute, University of Hull, June 2019.<\/p>\n

Diagramming Research<\/em>, lecture and workshops, University of Plymouth, 14\u201315 May, 2019.<\/p>\n

Culture Entrerprise<\/em>, Lectures for the MA Seminar for curators and professionals<\/em>, organised by MA Curating Aarhus University and MA Exhibition Studies LJMU, ERL Lab, October 2018.<\/p>\n

Controversial Sustainability: Reflections on Post-conceptual Art<\/em>, Engagement and Cultural Ecology,<\/em> conference for the occasion of \u201cCONCEPT\/S: Hegel\u2019s Aesthetics\u201d, Museum of Modern Art of Ljubljana, organised by the Aufhebung Association and University of Ljubljana, January 2018.<\/p>\n

Contemporary art and production<\/em>, lecture, MA in Curatorial studies, Sorbonne \u2013 Paris 1, Paris, April 2018.<\/p>\n

East-West. Hybridization and The Legacy of Avant-gardes<\/em>, Conference, Timisoara Art Museum, Romania, September 2017.<\/p>\n

Not as it seems,<\/em> Montreal MOMENTA | Biennale de l\u2019image, public lecture, organised by the Artexte Foundation, Montreal, Canada, October 2017.<\/p>\n

Cosmism in Russian and Soviet Avantgarde Times<\/em>, conference and public discussion with Anton Vidokle and Vincent Ceraudo, Centre Georges Pompidou, Paris, May 2017.<\/p>\n

International cooperation: methods and methodologies<\/em>, lecture on the occasion of \u201cInternational Day on Global Migration and Policies\u201d organised by Co.Ges Cooperative, Mestre and Ca\u2019 Tron, Iuav University of Venice, Benetke, june 2017.<\/p>\n

Paradoxes and Contemporary African Culture(s)<\/em>, Kendell Geers and Mara Ambro\u017ei\u010d, conference and conversation with the artist, Museum of Contemporary Art (MSUM+), May 2016.<\/p>\n

The Impact of the Bologna Reform \u2013 Educational shifts. The Ideology of Continuous Education<\/em>, lecture at the \u201cEtat de lieux \u2013 Education artistique en Afrique\u201d symposium, RAW Material Company Dakar and The Ministry of Culture of the Republic of Senegal, June 2014.<\/p>\n

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<\/span><\/i> Selection of Curated international symposiums, Events, and Workshops<\/a><\/h3>
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Selection of Curated international symposiums, Events, and Workshops<\/h4>\n<\/div>\n
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\nLost in the Former West,<\/em> public talk by Simon Sheikh, co-organized with the Exhibition Research Lab, LJMU University, Aarhus University, Aula Magna, Iuav University of Venice, October 2017.<\/p>\n

Slavoj \u017di\u017eek, The Courage of Hopelessness,<\/em> NSK Venice Pavilion 2017, Iuav University of Venice, May 2017.<\/p>\n

Workshop \u2013 The Contemporary Condition research project<\/em>, co-organised with the Contemporary Aesthetics and Technology research programme, Aarhus University & Exhibition Research Lab, Liverpool John Moores University in partnership with the Venice Faculty for Arts and Design, Iuav University of Venice, Uniarts Helsinki, October 2017.<\/p>\n

States of Opacity: Art, Politics and New Social Imaginaries,<\/em> international symposium curated with Elvira Dyangani Ose for the 12th Dak\u2019Art Biennial, Dakar, May 2016.<\/p>\n

Libraries of the Futur<\/em>e, series of lectures for an exhibition project, Centre Georges Pompidou, Paris, April\u2013June 2016.<\/p>\n

Condition Report \u2013 Artistic Education in Africa<\/em>, lecture and moderating an international symposium, RAW Material Company Dakar, curated with Dr Chika Okereke (Princeton University) and Koyo Kouoh (RAW Academy), Dakar, June 2014.<\/p>\n

Quali sono le nuove piattaforme sperimentali per l\u2019insegnamento? (Which are the new experimental artistic educational platforms?)<\/em>, conversation with Francesco Garutti at RE-INVENTING SCHOOL FROM A TO Z33 by Abitare and Z33 at Z33, Milan, Milano Design Week, April 2013.<\/p>\n

Pensee, Voire, Faire<\/em>, conference at the \u201cArt & Recherche\u201d, international symposium on the future of artistic education in higher education, L\u2019\u00e9cole Nationale Superieure d\u2019architecture de Paris-Belville, Paris, February 2012.<\/p>\n

Art as a Thinking Process<\/em>, lecture and moderating discussions at the symposium of the same name, Iuav University of Venice, June 2011.<\/p>\n

Constructive Impulse<\/em>, lecture, Municipal Theater, Triennale de Luanda, Angola, June 2010.<\/p>\n

As the Academy Turns<\/em>, lecture at winter workshops, Manifesta 8, Murcia, december 2010.<\/p>\n

Becoming Bologna,<\/em> discussion and moderating at an international symposium, co-curated with Dr Mick Wilson (Rector of Gothenburg University) and Dr Henk Slager (Director of Utrecht Academy of Arts) Iuav University of Venice, June 2009.<\/span><\/p>\n

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<\/span><\/i> Program presentation of OGP Direction<\/a><\/h3>
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WATCH THE FULL VIDEO HERE \u2192<\/a><\/p>\n<\/p>\n

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